Edouard Vuillard's Oil Paintings
	Edouard Vuillard Museum November 11, 1868-June 21, 1940. French painter.
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Here are all the paintings of Moore, Albert Joseph 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
19499		A Garden	1869 Oil on canvas Tate Gallery, London.
19493		A Musician	1865-66 Oil on canvas Yale Center for British Art, New Haven, CT.
51781		a painter-s tribute to the art of Music	mk221 1868 Oil on canvas 61x88.3cm
19498		A Venus	1869 Oil on canvas York city Art Gallery.
19495		Apricots	1866 Oil on canvas Fulham Public Library, London.
19497		Battledore	1868-70 Oil on canvas Private collection.
19491		Dancing Girl Resting	1863-64 Oil on canvas Private collection.
19494		Lilies	1866 Oil on canvas Sterling & Francine Clark Art Institute, Williamstown, MA.
28447		Loves of the Winds and the Seasons	1890-3 Oil on canvas 185 x 216 cm (72 7/8 x 85 in) Blackburn Museum and Art Gallery (mk63)
19502		Pansies	1875 Oil on canvas Private collection.
19492		Pomegranites	1865-66 Oil on canvas Guildhall Art Gallery, London.
19500		Seagulls	1870-71 Oil on canvas Williamson Art Gallery and Museum, Birkenhead.
96389		Setting Sail on a Lake in the Adirondacks	oil on canvas, 41.91 cm (16.5 in.) x 67.63 cm (26.63 in.) cyf
19501		Shells	1874 Oil on canvas Walker Art Gallery, Liverpool.
19496		Shuttlecock	1868-70 Oil on canvas Private collection.
19490		The Mother of Sisera Looked out a Window	1861 Oil on canvas Tullie House Museum and Art Gallery, Carlisle.

Moore, Albert Joseph

English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.

All the Edouard Vuillard's Oil Paintings

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